To your point, you’ve both been acting from such a young age. Cole, you’ve been vocal about the fact that it wasn’t always a choice. It was often out of financial necessity. Kathryn, you’ve likewise been in the industry since you were 4. How does that influence your current approach?
CS: When a lot of people talk about acting, they talk about the beauty and the passion of acting, and they forget that it’s also a job. The healthiest relationship is somewhere in the middle, where you can go, “Alright, I ideally want to do one for me and one for the coffers.”
KN: We found a lot of common ground, and we had some amazing discussions about it on [the set of] Lisa Frankenstein. I felt like I was so similar in my approach, where we take it seriously, but we don’t identify with it. I’ve been an actress since I was 4. Every experience I had has been like candy. It’s just been fun. I went to real school my whole life, so there was this experience of “Is school real, or is the job that I’m on set for real?” Neither one of them felt like reality. I was class president, and I did the commencement speech and everything. I loved school and being a kid who was super uncool and then going to set and shooting 15-hour days and then going back to school and having to take five tests. These are the things that have made me who I am, and I wouldn’t change anything.
I can’t help but think that this mindset is really unique to folks like you who have been doing this job for so many years. It’s essentially the defining experience of your life. Did you ever look back and maybe feel any type of resentment or regret about the way that the industry made you grow up quicker and faster than kids your own age?
CS: Great question. I don’t hold resentment. It comes with an incredible amount of privilege, and also, you do kind of know what you’re signing up for. I might not have had as much agency over career decisions as a kid, but it made complete and logical sense at the time as to why we were doing the thing that we were doing.
KN: What’s funny is I feel like I’m just getting started all the time. Every time I finish a project, I feel like I’m never going to work again. To piggyback on what Cole is saying, the longer you do it, the less you need to do your job. I don’t need anything to do my scene. I don’t need a coffee. I don’t need five minutes to get ready. If you say “action,” I’m ready. [Cole is similar to me in that way.] I wonder if it’s because we did grow up as child actors. The roles have required more of me as I’ve matured simply with age and material. Now, the material just asks more of you. I feel like I’m just getting started because now I’m at a new level.